I think it’s about time I update with something about music – just for a change. The whole accomodationism vs. science education debate on the blogosphere is leaving me pretty worn out (incidentally, I must register here my fervent hope that Jerry Coyne uses my term to describe the accomodationists – The ‘Pew Atheists’, a ho ho ho), plus I’m playing in West Side Story at the moment, and that’s just killer.
So – in the spirit of light-heartedness, dear reader, I present to you the largest number of signature items on a gig. That I’ve done, at least.
Get ’em all?
OK, following the signal chain, R-L:
Boss Chromatic Tuner; Dunlop Zakk Wylde Wah; Xotic Andy Timmons BB Pre-amp; Digitech Hardwire Valve Distortion; MXR EVH Van Halen Phaser.
So, the tuner and the distortion aren’t really pulling their weight – FOR SHAME.
In my defence, though, the tuner’s needed because every audience deserves a guitarist who’s in tune.
And the distortion? It just kicks arse. Seriously great sound, I may scrawl my own moniker on it with a Sharpie if I have an idle moment…
Yes, it’s a replica of Eric Johnson’s favourite Dunlop Jazz III pick.
I can’t even excuse the purchase of this, and needless to say it doesn’t form the bulk of my chat-up material.
OH HAI what’s that on my Parker Fly?
My oldest guitar, a lovely 1st-edition Ernie Ball/Musicman John Petrucci signature model.
So there we have it, a little trawl through some of my gear. And this is only the stuff I use to play RAWK – we haven’t even touched on the big band jazz stuff, or my country equipment, or the stage show rigs, or…